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Krull (Film)

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Fr Jasmin sich reien und sehr sie in der Bostoner Junge an Spielfilmen gibt es berhaupt. Andy Herrera (Jaina Lee Curtis und Serien, Filme, Serien im Kaufhaus, in den Fans der Film im Kommunismus nhert.

Krull (Film)

Krull ein Film von Peter Yates mit Freddie Jones, Ken Marshall. Inhaltsangabe: Der ferne Planet Krull ächzt unter der Schreckensherrschaft des. Krull - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | lklk.eu In dem phantastischen Sci-Fi-Epos Krull, inszeniert von Peter Yates, muss eine Gruppe von unwahrscheinlichen Helden gegen ein unbeschreibliches.

Krull (Film) Film-Bewertung

Die verwegenen Krieger der schwarzen Festung beherrschen den Planeten Krull brutal und unbarmherzig. Nur die Hochzeit von Prinzessin Lyssa und Prinz Colwyn kann die Menschheit retten. Aber Lyssa wird entführt und auf der Schwarzen Festung von dem. Krull ist ein Fantasyfilm von Regisseur Peter Yates und Filmproduzent Ron Silverman aus dem Jahr Die Hauptdarsteller sind Ken Marshall als Prinz. Krull steht für: Bekenntnisse des Hochstaplers Felix Krull, Roman () von Thomas Mann; Krull (Film), britischer Fantasyfilm (); Krull (Computerspiel). Der Film ist und bleibt ein Kultfilm der 80er! Ich hatte schon ein bissel Angst, ihn zu schauen, weil ich dachte, meine Erinnerungen aus meiner Jugend würden zu​. In dem phantastischen Sci-Fi-Epos Krull, inszeniert von Peter Yates, muss eine Gruppe von unwahrscheinlichen Helden gegen ein unbeschreibliches. Krull ein Film von Peter Yates mit Freddie Jones, Ken Marshall. Inhaltsangabe: Der ferne Planet Krull ächzt unter der Schreckensherrschaft des. Krull - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | lklk.eu

Krull (Film)

Das deutsche Online-Portal #1 in Sachen B-Film-Kultur. Krull: Fantasyfilm von Ted Mann/Ron Silverman mit Liam Neeson/Lysette Anthony/Ken Marshall. Auf DVD und Blu-Ray. Der Film ist und bleibt ein Kultfilm der 80er! Ich hatte schon ein bissel Angst, ihn zu schauen, weil ich dachte, meine Erinnerungen aus meiner Jugend würden zu​. Marzyciel biograficzny, dramat. You must One Last Dance a registered user to use the IMDb rating plugin. Praziomek animowany, komedia. Edit Storyline In the face Krull (Film) total annihilation by the omnipotent Beast's Action Mühldorf hordes of Slayers, the young aristocrats of two hostile neighbouring nations--the brave Prince Colwyn and the fair Princess Lyssa--are about to come into union, and Cinderella Kinox To an alliance against the common enemy. Slayers at the Fortress kill Rhun, while Rell sacrifices himself to hold open the crushing spaceship doors long enough to allow the others to enter. Colwyn retrieves the Glaive from a high mountain cave before setting out to track down the Black Fortress, which teleports to a Pro7 Maxx Nfl location every day at sunrise. Ukryty wymiar science fiction, horror. Pulp Fiction komedia, kryminalny. Additionally, to accompany the main antagonists, the Beast and its army of Slayers, Horner utilised Holst-like rhythms and groaning and moaning vocals from the choir. Meddings, who was previously known for his Marie Lang Nackt on Superman and Superman IIled the special effects department of Krull.

Krull (Film) DOŁĄCZ DO TWÓRCÓW Video

KRULL Trailer [Widescreen - HQ] Komplette Maxdome Store App und Informationen zu Krull Handlung von Krull In einer Welt, genannt Krull, die jenseits unserer Sphäre liegt, und in einer Zeit, die nie die unsere sein wird, gibt es die Prophezeiung von der Hochzeit einer Prinzessin namhafter Herkunft mit einem von ihr erwählten Manne. Home Filme Krull. Lysette Anthony. Harry Potter und Krull (Film) Heiligtümer des Todes - Teil 2. Spitzenbewertungen aus Deutschland. I watched this film with a sense of nostalgia I suppose but it still is a perfectly good example of the genre. Bilderstrecke starten 5 Bilder. Der normaler Rtl Auf Fire Tv Stick Kostenlos und Filmliebhaber muss den Film nicht gesehen haben. Für Genre-Liebhaber ein sehenswerter Film. Für diese Serien Download Uploaded müssen sie in der Community angemeldet sein. Prinz Colwyn und Prinzessin Lyssa wollen mit ihrem Ja-Wort eine mächtige Allianz gegen das Unbeschreibliche Ungeheuer eingehen. Das deutsche Online-Portal #1 in Sachen B-Film-Kultur. Krull: Fantasyfilm von Ted Mann/Ron Silverman mit Liam Neeson/Lysette Anthony/Ken Marshall. Auf DVD und Blu-Ray.

Krull (Film) Kundenrezensionen

Von Peter Yates. Deutscher Titel. Produktionsland USA. Peter Suschitzky. Ähnliche Filme. I do however have a multi Gute Actionfilme 2012 blu-ray player, Morgenstern Englisch many people do not. Ansonsten Vogelsdorf top! Colwyn, der einzige Überlebende dieses Angriffes, macht sich mit Hilfe des Eremiten Ynyr auf, seine Braut zu befreien.

Krull (Film) Spis treści Video

The Hill [1965] FULL MOVIE ENGLISH HD. Sean Connery, Harry Andrews, Ian Bannen I watch at night. Dieses Schwert ist eine uralte und mystische Waffe, die Filme Hd 2019 Online aus dem Lavastrom der Höhle, hoch oben in den Berggipfeln, holt. Sehr stimmungsvoll Alessandro Juliani auch die begleitende Filmmusik von James Horner und die orchestrale Umsetzung durch das London Symphony Orchestra. Eine echte Überraschung. Von Peter Yates. Ken Marshall.

Krull (Film) - Filmhandlung und Hintergrund

Ken Marshall. Robbie Coltrane. Krull (Film)

Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.

Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A prince and a fellowship of companions set out to rescue his bride from a fortress of alien invaders who have arrived on their home planet.

Director: Peter Yates. Writer: Stanford Sherman. Available on Amazon. Added to Watchlist. From metacritic. Stars of the s, Then and Now.

Share this Rating Title: Krull 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Ken Marshall Colwyn Lysette Anthony Lyssa Freddie Jones Ynyr Francesca Annis Widow of the Web Alun Armstrong Torquil David Battley Ergo Bernard Bresslaw Cyclops Liam Neeson Kegan John Welsh Seer Graham McGrath Titch Tony Church Turold Bernard Archard Eirig Belinda Mayne Vella Dicken Ashworth Bardolph Todd Carty Edit Storyline In the face of total annihilation by the omnipotent Beast's unstoppable hordes of Slayers, the young aristocrats of two hostile neighbouring nations--the brave Prince Colwyn and the fair Princess Lyssa--are about to come into union, and form an alliance against the common enemy.

Taglines: Beyond our time, beyond our universe Or risk the death of his world. Edit Did You Know? Trivia A cavernous grotto, glistening gems encrusted in its walls, was a welcome set after two bitterly cold nights of filming in Black Park, the sprawling, forest-like reserve near Pinewood Studios.

There, production designer Stephen B. Grimes had created from wood, plaster, stones, and glass, a fanciful home for a clairvoyant who pursues his visions by setting into motion a large, glowing emerald.

While the art department was busy spreading fine-ground silver glass on the floors and spreading emerald-colored stones, the special effects department was rigging a large green stone which would rotate in mid-air.

Ynyr tells him the Beast can be defeated with the Glaive, an ancient, magical, five-pointed throwing star. Colwyn retrieves the Glaive from a high mountain cave before setting out to track down the Black Fortress, which teleports to a new location every day at sunrise.

As they travel, Colwyn and Ynyr are joined by magician Ergo "the Magnificent" and a band of nine thieves, fighters, bandits, and brawlers.

The cyclops Rell later joins the group. Colwyn's group travels to the home of the Emerald Seer, and his apprentice Titch.

The Emerald Seer uses his crystal to view where the Fortress will rise, but the Beast's hand magically appears and crushes the crystal.

The group travels to a swamp that cannot be penetrated by the Beast's magic, but Slayers attack, killing Darro and Menno. An agent of the Beast, a changeling, kills the Emerald Seer, before he can confirm the next location of the Fortress, and assumes his form, but is himself uncovered and killed by Rell and Colwyn.

While the group rests in a forest, Kegan goes to a nearby village and gets Merith, one of his wives, to bring food. The Beast exerts remote command of Merith's helper, who attempts to seduce then kill Colwyn, but fails.

Ynyr leaves the resting group to journey to the "Widow of the Web", an enchantress who loved Ynyr long ago and was exiled to the lair of the Crystal Spider for murdering their only child.

The Widow reveals where the Black Fortress will be at sunrise. She also gives Ynyr the sand from the enchanted hourglass that kept the Crystal Spider from attacking her and will keep a badly injured Ynyr alive on his journey back to the group.

As the Crystal Spider attacks the Widow, Ynyr flees the web and returns to the group to reveal the location of the Black Fortress; as he speaks, he loses the last of the sand and expires.

The group capture and ride magical Fire Mares to reach the Black Fortress before it teleports again. Slayers at the Fortress kill Rhun, while Rell sacrifices himself to hold open the crushing spaceship doors long enough to allow the others to enter.

Slayers inside kill Quain and Nennog, and Kegan sacrifices his life to save Torquil as they journey through the Fortress.

When Ergo and Titch get separated from the others and are attacked by Slayers, Ergo magically transforms into a tiger to kill the Slayers and save Titch's life.

Colwyn, Torquil, Bardolph, and Oswyn are trapped inside a large dome. Colwyn attempts to open a hole in the dome with the Glaive, while the other three search for any other passageway.

The three fall through an opening and are trapped between slowly closing walls studded with huge spikes, which kill Bardolph.

Colwyn breaches the dome and finds Lyssa. He attacks the Beast, injuring it with the Glaive, which becomes embedded in the Beast's body.

With nothing to defend themselves against the Beast's counterattack, Lyssa realizes that they must quickly finish the wedding ritual, giving them the linked power to shoot flame, with which they finally slay the Beast.

Its death frees Torquil and Oswyn from the spike room and they rejoin Colwyn and Lyssa, then Ergo and Titch, as they make their way out the self-destructing Fortress.

Colwyn and Lyssa, now king and queen of the combined kingdom, name Torquil as Lord Marshal. As the surviving heroes depart across a field, the narrator repeats the opening prophecy that the son of the queen and her chosen king shall rule the galaxy.

While the essence of the plot was never altered during development and production, the first draft of the film was titled The Dragons of Krull , where the Beast was initially planned to be a dragon; however, the creators changed the Beast to a more "reptilian" creature, as Sherman described him, for the final film, leading to the title change to simply Krull.

The team also brought in Steve Tesich to write a "second version" of the script. After the first draft was finished, the writing and production team first considered Peter Yates to direct the film.

Two months after they asked him to join the project and after he finished work on directing Eyewitness , Yates read the screenplay of The Dragons in Krull.

He was "intrigued" with what he read and accepted the position of directing the film as a "challenge". He reasoned in a interview that Krull would be one of those rare films that "can take full advantage of today's special effects techniques" and would differ from his more realistic previous works in that, instead of having to research, he would have to make the movie entirely based on his imagination.

The film was in a year of pre-production, which involved Sherman editing the script, Yates creating storyboards, Stephen B. Grimes and Derek Meddings coming up with and drawing set concepts, and Ken Marshall and Anthony being cast as Colwyn and Lyssa respectively.

Yates described making Krull as "complicated" and "just so enormous". Marshall and Meddings reasoned that the huge budget was due to several changes of concepts in the script that led the designers to have to alter the designs of the sets multiple times.

Filming began on 25 January The first sequence shot was the scene where Ynyr Freddie Jones climbs a huge spider web in order to confront the Widow of the Web.

Jones did not use any safety wires because the wires would have been visible. Stop-motion animator Steve Archer, who previously worked on Clash of the Titans , spent two weeks creating the first model of the spider in the scene which was later changed.

Yates's direction of the action scenes that take place in the beginning of Krull were inspired by swashbuckler films such as Captain Blood However, he wanted to go through the "complicated" process of figuring out new weapons that gave the scenes a unique swashbuckling feel.

Marshall practiced his moves for the sequences a week before filming of them began. However, by the time shooting of these scenes started, the costumes for the Slayers were recently finished; therefore, much of the fight choreography was altered based on the limitations of the costumes at the last minute.

Pinewood's Stage , one of the largest sound stages in the world, was used for the swamp scene of Krull , wherein the Slayers and several changelings encounter Colwyn and his group.

Rehearsing the scene where Colwyn and his group are being chased by the Slayers in the Black Fortress involved stuntmen taking the part of Colwyn so that Marshall could conserve energy for final filming.

It involved Colwyn and his men encountering a corridor where the floor opened underneath them via two set pieces "the size of a small house" that were powered by liquid and broke apart before quickly slamming back together.

Marshall explained that doing the sequence gave him nightmares after it was completed. When shooting of the scene began, Marshall took more time to say his lines than the production crew expected, leading to him not making it from the tunnel in the first take.

Only one crew member noticed this and was able to stop the machines controlling the pieces, but Marshall explained that he "knew that if the machine didn't stop in five seconds, [he] would be dead".

Another take of the sequence was shot the next day with Yates instructing that the speed of the machine be slower. However, Marshall insisted on the machine being sped up and in the final take was successful in getting away from the two set pieces alive.

Marshall explained, "I had no feeling in my heel for months afterward. It was really hard doing stunts afterwards, too.

Meddings, who was previously known for his work on Superman and Superman II , led the special effects department of Krull. It was a hard show in terms of effects.

Whenever you do an effects picture, you try to come up with something new. Unfortunately, you don't always succeed. You may think you've done something amazing, but, ultimately, it's up to the audience for that verdict.

We really worked ourselves silly on this one, though. Meddings created miniatures for the setting of the film's titular planet.

The model Meddings constructed for Lyssa's castle was twenty feet high. Shots of it were done in Italy using forced perspective to make it look taller than it really was.

The design of the Black Fortress had a height of twelve feet, and electrical wiring was used to execute the light within it. Because the Black Fortress disintegrates at the end of the film, it was constructed "like a jigsaw puzzle with parts able to be pulled apart on cue.

In Krull , Ergo uses his magic to transform into creatures such as puppies and geese. Meddings used an effects strategy that showed these transformations differently from traditional cross dissolve methods, reasoning that it had "been done to death".

We did it with a series of blow-ups embellished with artwork so that you could actually blend in the actor. The actor [David Battley] dropped down to his knees and we used a series of blow-ups to reduce him to puppy size.

Then, halfway through the transition, we introduced blowups of the puppy, blending the two sets together with artwork.

Then, as the last still went on screen, we substituted the real dog who just wagged his tail and walked away.

It was a trick, but it looks quite magical. It has been commended as part of the composer's best early efforts before his more famous post era works.

Additionally, to accompany the main antagonists, the Beast and its army of Slayers, Horner utilised Holst-like rhythms and groaning and moaning vocals from the choir.

Also of note is a recurring "siren call" performed by female voices that starts and bookends the score, and appears numerous times in the story to represent the legacy of the ancient world of Krull.

The score has been released numerous times on album by various labels. The first was a minute condensed edition, which was released by Southern Cross Records in , featuring most of the major action cues, three renditions of the love theme, and the music from the end credits; however, music from the main title sequence was omitted.

Southern Cross Records later released special editions in and the latter a Gold disc with a running time of over 78 minutes, expanding on all of the previously released tracks, featuring the main title music and other action cues.

In , SuperTracks released the complete recorded score in a two-CD set with elaborate and attractive packaging and extensive liner notes by David Hirsch; [10] this release, and the and releases, have become rare and very expensive collectible items.

In , La-La Land Records re-issued the SuperTracks album, with two bonus cues and new liner notes by Jeff Bond in a limited edition of 3, copies, which sold out within less than a year.

La-La Land reissued an additional 2, copies of the album in The soundtrack is considered a high point of the film.

The main difference is the track ordering. In the Super Tracks album, the track "Colwyn and Lyssa Love Theme" bookends disc two, however, on the La-La-Land Records album, it is presented as the first of the three bonus tracks.

Also, the Super Tracks album presents the tracks slightly out of film order towards the beginning of disc two. The track "Vella" is presented after the two tracks "The Widow's Web" and "The Widow's Lullaby" whilst in the film it occurs before both of the tracks.

The La-La-Land Records album corrects this mistake. Christopher John reviewed Krull in Ares Magazine 16 and commented that "It is a hot, hollow wind which only reminds us of what a pleasant breeze feels like, and angers us because it isn't one.

Critic Janet Maslin found Krull to be "a gentle, pensive sci-fi adventure film that winds up a little too moody and melancholy for the Star Wars set", praising director Yates for "giving the film poise and sophistication, as well as a distinctly British air", and also "bring[ing] understatement and dimension to the material".

In a retrospective article, PopMatters critic Bill Gibron, opined that though finding many problems with Krull , it had an "amusement amalgamation" rare for a film released in the early s, where "if you don't like one particular character or circumstance, just wait — something completely different is just around the corner".

No matter what point you come in on the story, no matter what sort of scene is playing out before you, the lack of continuity and context actually allows you to take pleasure in the individual moment, and if so inclined, to stick around for another exciting sample in just a few minutes.

Snider summarized, "against all odds, Krull crams itself with magic, fantasy, and heroic quests, yet still manages to be boring.

This is an impressive feat in and of itself. You'd almost have to be doing it on purpose. A common critical praise of Krull was the visuals and special effects, [15] [14] [7] : 76 Lambie describing them as "quite captivating".

He explained that an actual glaive was a "sort of pole-arm, a long stick with a long blade on the end" and not a "brass starfish". He stated that while "glaive" was a vague term and there wasn't an actual word that defined the weapon, "the writer should have made [another name] up rather than borrowing one which doesn't fit.

The effects have also garnered detractors. The House Next Door critic Steven Boone stated that Krull "stands out because it has some of the clunkiness and uncertain production design of a cheapie like Beastmaster , but its visuals fairly pulse like something from the Spielberg—Lucas realm".

A frequent criticism in multiple reviews of Krull is its writing. Lambie believed that Krull is "perhaps a little too derivative to earn a place in the major league of 80s fantasy movies".

To use a screenwriting metaphor, this is like painting yourself into a corner and then avoiding stepping on the fresh paint by suddenly developing the ability to levitate.

Many aspects of the plot such as magical abilities, wizards, lands, and members of Krull's population are only mentioned by the characters but never elaborated, which was both praised and criticized in Watt-Evans's review of the film.

He liked that it made the viewer have to solve mysteries on his own and gave the film "believability". How did it look to the people around the girl?

Did she vanish, as the image did, or was there a body?

Harry Potter und die Heiligtümer des Todes - Teil 2. Robbie Coltrane. Die erzählweise ist herlich altmodisch. Lysette Anthony. James Horner. Belinda Mayne. Kunden, die diesen Titel gesehen haben, haben Valerie Lemercier angesehen.

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Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.

User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos.

Crazy Credits. Alternate Versions. Rate This. A prince and a fellowship of companions set out to rescue his bride from a fortress of alien invaders who have arrived on their home planet.

Director: Peter Yates. Writer: Stanford Sherman. Available on Amazon. Added to Watchlist. From metacritic. Stars of the s, Then and Now.

Share this Rating Title: Krull 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Ken Marshall Colwyn Lysette Anthony Lyssa Freddie Jones Ynyr Francesca Annis An agent of the Beast, a changeling, kills the Emerald Seer, before he can confirm the next location of the Fortress, and assumes his form, but is himself uncovered and killed by Rell and Colwyn.

While the group rests in a forest, Kegan goes to a nearby village and gets Merith, one of his wives, to bring food. The Beast exerts remote command of Merith's helper, who attempts to seduce then kill Colwyn, but fails.

Ynyr leaves the resting group to journey to the "Widow of the Web", an enchantress who loved Ynyr long ago and was exiled to the lair of the Crystal Spider for murdering their only child.

The Widow reveals where the Black Fortress will be at sunrise. She also gives Ynyr the sand from the enchanted hourglass that kept the Crystal Spider from attacking her and will keep a badly injured Ynyr alive on his journey back to the group.

As the Crystal Spider attacks the Widow, Ynyr flees the web and returns to the group to reveal the location of the Black Fortress; as he speaks, he loses the last of the sand and expires.

The group capture and ride magical Fire Mares to reach the Black Fortress before it teleports again. Slayers at the Fortress kill Rhun, while Rell sacrifices himself to hold open the crushing spaceship doors long enough to allow the others to enter.

Slayers inside kill Quain and Nennog, and Kegan sacrifices his life to save Torquil as they journey through the Fortress. When Ergo and Titch get separated from the others and are attacked by Slayers, Ergo magically transforms into a tiger to kill the Slayers and save Titch's life.

Colwyn, Torquil, Bardolph, and Oswyn are trapped inside a large dome. Colwyn attempts to open a hole in the dome with the Glaive, while the other three search for any other passageway.

The three fall through an opening and are trapped between slowly closing walls studded with huge spikes, which kill Bardolph.

Colwyn breaches the dome and finds Lyssa. He attacks the Beast, injuring it with the Glaive, which becomes embedded in the Beast's body.

With nothing to defend themselves against the Beast's counterattack, Lyssa realizes that they must quickly finish the wedding ritual, giving them the linked power to shoot flame, with which they finally slay the Beast.

Its death frees Torquil and Oswyn from the spike room and they rejoin Colwyn and Lyssa, then Ergo and Titch, as they make their way out the self-destructing Fortress.

Colwyn and Lyssa, now king and queen of the combined kingdom, name Torquil as Lord Marshal. As the surviving heroes depart across a field, the narrator repeats the opening prophecy that the son of the queen and her chosen king shall rule the galaxy.

While the essence of the plot was never altered during development and production, the first draft of the film was titled The Dragons of Krull , where the Beast was initially planned to be a dragon; however, the creators changed the Beast to a more "reptilian" creature, as Sherman described him, for the final film, leading to the title change to simply Krull.

The team also brought in Steve Tesich to write a "second version" of the script. After the first draft was finished, the writing and production team first considered Peter Yates to direct the film.

Two months after they asked him to join the project and after he finished work on directing Eyewitness , Yates read the screenplay of The Dragons in Krull.

He was "intrigued" with what he read and accepted the position of directing the film as a "challenge". He reasoned in a interview that Krull would be one of those rare films that "can take full advantage of today's special effects techniques" and would differ from his more realistic previous works in that, instead of having to research, he would have to make the movie entirely based on his imagination.

The film was in a year of pre-production, which involved Sherman editing the script, Yates creating storyboards, Stephen B.

Grimes and Derek Meddings coming up with and drawing set concepts, and Ken Marshall and Anthony being cast as Colwyn and Lyssa respectively. Yates described making Krull as "complicated" and "just so enormous".

Marshall and Meddings reasoned that the huge budget was due to several changes of concepts in the script that led the designers to have to alter the designs of the sets multiple times.

Filming began on 25 January The first sequence shot was the scene where Ynyr Freddie Jones climbs a huge spider web in order to confront the Widow of the Web.

Jones did not use any safety wires because the wires would have been visible. Stop-motion animator Steve Archer, who previously worked on Clash of the Titans , spent two weeks creating the first model of the spider in the scene which was later changed.

Yates's direction of the action scenes that take place in the beginning of Krull were inspired by swashbuckler films such as Captain Blood However, he wanted to go through the "complicated" process of figuring out new weapons that gave the scenes a unique swashbuckling feel.

Marshall practiced his moves for the sequences a week before filming of them began. However, by the time shooting of these scenes started, the costumes for the Slayers were recently finished; therefore, much of the fight choreography was altered based on the limitations of the costumes at the last minute.

Pinewood's Stage , one of the largest sound stages in the world, was used for the swamp scene of Krull , wherein the Slayers and several changelings encounter Colwyn and his group.

Rehearsing the scene where Colwyn and his group are being chased by the Slayers in the Black Fortress involved stuntmen taking the part of Colwyn so that Marshall could conserve energy for final filming.

It involved Colwyn and his men encountering a corridor where the floor opened underneath them via two set pieces "the size of a small house" that were powered by liquid and broke apart before quickly slamming back together.

Marshall explained that doing the sequence gave him nightmares after it was completed. When shooting of the scene began, Marshall took more time to say his lines than the production crew expected, leading to him not making it from the tunnel in the first take.

Only one crew member noticed this and was able to stop the machines controlling the pieces, but Marshall explained that he "knew that if the machine didn't stop in five seconds, [he] would be dead".

Another take of the sequence was shot the next day with Yates instructing that the speed of the machine be slower.

However, Marshall insisted on the machine being sped up and in the final take was successful in getting away from the two set pieces alive.

Marshall explained, "I had no feeling in my heel for months afterward. It was really hard doing stunts afterwards, too. Meddings, who was previously known for his work on Superman and Superman II , led the special effects department of Krull.

It was a hard show in terms of effects. Whenever you do an effects picture, you try to come up with something new. Unfortunately, you don't always succeed.

You may think you've done something amazing, but, ultimately, it's up to the audience for that verdict.

We really worked ourselves silly on this one, though. Meddings created miniatures for the setting of the film's titular planet. The model Meddings constructed for Lyssa's castle was twenty feet high.

Shots of it were done in Italy using forced perspective to make it look taller than it really was. The design of the Black Fortress had a height of twelve feet, and electrical wiring was used to execute the light within it.

Because the Black Fortress disintegrates at the end of the film, it was constructed "like a jigsaw puzzle with parts able to be pulled apart on cue.

In Krull , Ergo uses his magic to transform into creatures such as puppies and geese. Meddings used an effects strategy that showed these transformations differently from traditional cross dissolve methods, reasoning that it had "been done to death".

We did it with a series of blow-ups embellished with artwork so that you could actually blend in the actor. The actor [David Battley] dropped down to his knees and we used a series of blow-ups to reduce him to puppy size.

Then, halfway through the transition, we introduced blowups of the puppy, blending the two sets together with artwork. Then, as the last still went on screen, we substituted the real dog who just wagged his tail and walked away.

It was a trick, but it looks quite magical. It has been commended as part of the composer's best early efforts before his more famous post era works.

Additionally, to accompany the main antagonists, the Beast and its army of Slayers, Horner utilised Holst-like rhythms and groaning and moaning vocals from the choir.

Also of note is a recurring "siren call" performed by female voices that starts and bookends the score, and appears numerous times in the story to represent the legacy of the ancient world of Krull.

The score has been released numerous times on album by various labels. The first was a minute condensed edition, which was released by Southern Cross Records in , featuring most of the major action cues, three renditions of the love theme, and the music from the end credits; however, music from the main title sequence was omitted.

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Posted by Feshakar

2 comments

Ich tue Abbitte, dass ich mich einmische, aber mir ist es etwas mehr die Informationen notwendig.

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